LML MUSIC LML CD-133

Original Release Date: November 6, 2001

Produced by Bruce Kimmel

Music and Lyrics by Adryan Russ

Arrangements and Orchestrations byGrant Geissman

The following two photos were taken from Lisa Richard's website Copyright - Lisa Richard 2001

In the recording studio. From left to right. The only know web photo of engineer Vinnie Cirilli, Adryan Russ standing in the back, the beautiful blond Lisa Richards who is sitting on Bruce Kimmel's lap and arranger Grant Geissman is rubbing what is left of Bruce's hair of his scalp

(bottom row from left) Jason Graae, Sharon McKnight, Lisa Richard, Tami Tappan, Cari Golden. (Top row) Grant Geissman, Barbara Deutsch, Lee Lessack, Adryan Russ, Karen Benjamin, Brad Ellis, Shelly Markham, Susanne Blakeslee, Bruce Kimmel, Kirby Tepper, Doug Haverty, Johnny Buzzerio

Starring in order of appearance

Joan RyanJuliana A. HansenJason GraaeTami Tappan

Barbara DeutschSharon McKnightMichelle NicastroKirby Tepper

Susan BlakesleeSusan EganDavid BurnhamLisa Richard

Karen BenjaminCindy BensonAdryan RussGuy Haines

SONG LISTINGS

1. Everyone Has a Story
2. Great Things
3. Out of Time
4. Matters of the Heart
5. Them
6. I Slip into This Place
7. Friends
8. I Hate to See You Go
9. Better Love Is the Worse It Is When It's Over
10. What He Can Do With Words
11. Hopscotch
12. I Don't Say Anything {from Inside Out}
13. Number
14. I Want to Live This Love
15. Gift

REVIEWS

#1

The musical creations of lyricist/composer Adryan Russ have found their way into the scores and productions of musical revues, off Broadway shows, cabaret and the movies. Among her credits for the latter is "Save the Earth," which she penned for the English language version of the Japanese cult film Godzilla vs. The Smog Monster. Presenting her material on this compilation of her songs, vignettes of life's ups and downs - - written by herself or with others - - are an experienced collection of accomplished veterans from cabaret and the musical stage. There's not a bad performance in the lot, a strong indication that Russ' lyrics in fact do tell stories because that's the brand of song cabaret singers warm to. The lyrics are printed in the liner notes, so you can read (or sing) the tales first hand. One of the fun tracks is "Them" performed by Barbara Deutsch which starts off: "When my skin begins to sag. And wrinkles start to curl. That's when I encounter some gorgeous girl". Proposed solutions to this dilemma are offered in the rest of the tune. The bulk of musical support is provided by programmer Grant Geissman who is an expert on the application of electronic devices as substitutes for real instruments. But it's done tastefully. He also plays guitar. Pianists Shelly Markham and Jeff Rizzo are on hand as well. This album will be attractive to lovers of the cabaret style and there are a lot of those out there. DAVID NATHAN allaboutjazz.com

#2

http://www.swia.demon.co.uk/RussCD1.htm

Life’, says Adryan Russ in one of the 15 songs featured on this showcase for her work, ‘is not a science, it’s an art’. Though those precise words may have been penned by her co-lyricist Doug Harvey, there is no doubting the exuberant and romantic spirit that pervades the songs on this album. Russ’ romanticism is the type that believes in the boundless possibilities of human achievement, in the ability of the spirit to overcome the greatest adversity. Thus in Adryan Russ’ world, everyone does indeed have a story, anyone can achieve ‘great things’. Those seeking well-written songs of positive affirmation would do well to listen Joan Ryan and Juliana Ashley Hansen’s delivery of the opening two tracks, the latter with music written by Brad Ellis.

Not that Adryan Russ doesn’t sometimes remove the rose-tinted spectacles; her composition, ‘The Better Love Is, The Worse It Is When It’s Over’ sung here by David Burnham, tells its own tale of the down side of love. For an even more cynical take on relationships, sample the delightful ‘Friends’, sung here by three singers but just as effective if delivered solo. Russ can write the blues, too, with Sharon McNight’s version of her ‘I Slip Into This Place’ particularly evocative, a new song that somehow manages to sound like a classic from another age. Meanwhile, Barbara Deutsch has great fun with ‘Them’, a song that any cabaret singer who has reached that certain age when not only the police officers but also the judges seem to be getting younger, would be crazy to ignore the laughter they would generate by including it in their act.

Russ’s songs are solidly constructed, well written for the voice and abound with inventive lyrics. Whilst one or two phrases may seem a touch trite or even familiar (…your hand is in my hand…, …couldn’t love you better if I tried…, …so come the dawn, I’ll be gone…) there are also innumerable clever turns of phrase and daring rhymes (…an infinite moment…, …what matters are matters of the heart…) and the outrageous rhyming of ‘quasi’ with ‘Haagen-Daaz ice’ that lift the songs in which they feature above the ordinary. There may not be a great song here, perhaps because they tend to be either upbeat and optimistic or reflective and sad; one feels that a bitter-sweet twist added to a couple of these pieces could mark them out as potential standards, ‘What He Can Do With Words’ a rather sickly sweet love song in its present form (could even Mrs. Brolin sing this with conviction?) might become a multi-layered masterpiece if it had a sting in its tail.

Whether you’re a cabaret patron (or booking agent) eager to hear a whole raft of highly talented singers on one album or a performer in search of new material that can make your audience laugh, cry or sigh out loud, you would be well-advised to make time in your schedule and space in your CD rack for this refreshing and entertaining album.

#3

“What’s it about a story that sets me on fire?” Adryan Russ writes in the lyric to Everyone Has a Story. Part of the answer is, “I love to peel the wrong, reveal the right....Beneath the darkest tale there’s always light.” And Russ peels away matters of the heart, the joy and irritation of friends, living for the moment and the effects of aging in 15 songs turned over to an array of engaging performers backed by crisp arrangements by Grant Geissman. Whether upbeat — as in Great Things (a winningly graceful read by Julianne Ashley Hansen; music by Brad Ellis) and the title track (Joan Ryan) — melancholy — the loss of love and friendship in Hopscotch (Karen Benjamin) and the album’s standout moment, I Slip Into This Place (Sharon McNight’s raw and smoky vocal echoes the great blues singers of the past) — or exploring the wonder and pain of love — the lovingly crafted Matters of the Heart (tenderly caressed by Tami Tappan; lyrics co written by Doug Haverty), The Better Love Is, The Worse It Is When It’s Over (David Burnham), I Want to Live This Love (Burnham and Tappan; lyrics co written by Haverty), I Hate to See You Go (Susan Egan) — there’s a core of truth in Russ’ creations that the listener will relate to, especially if the urge to speak the truth has been suppressed or the world seems to be getting younger as you grow older, two syndromes Russ expresses perfectly in I Don’t Say Anything (Cindy Benson) and Them (Barbara Deutsch).

— Jeff Rossen